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Câu hỏi:

23/07/2024 548

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

 In the last third of the nineteenth century, a new housing form was quietly being developed. In 1869 the Stuyvesant considered New York's first apartment house was built on East Eighteenth Street. The building was financed by the developer Rutherfurd Stuyvesant and designed by Richard Morris Hunt, the first American architect to graduate from the Ecole des Beaux Arts in Paris. Each man had lived in Paris, and each understood the economics and social potential of this Parisian housing form. But the Stuyvesant was at best a limited success. In spite of Hunt's inviting façade, the living space was awkwardly arranged. Those who could afford them were quite content to remain in the more sumptuous, single-family homes, leaving the Stuyvesant to young married couples and bachelors.

 The fundamental problem with the Stuyvesant and the other early apartment buildings that quickly followed, in the 1870's and early 1880's was that they were confined to the typical New York building lot. That lot was a rectangular area 25 feet wide by 100 feet deep – a shape perfectly suited for a row house. The lot could also accommodate a rectangular tenement, though it could not yield the square, well-lighted, and logically arranged rooms that great apartment buildings require. But even with the awkward interior configurations of the early apartment buildings, the idea caught on. It met the needs of a large and growing population that wanted something better than tenements but could not afford or did not want row houses. So while the city's newly emerging social leadership commissioned their mansions, apartment houses and hotels began to sprout in multiple lots, thus breaking the initial space constraints.

 In the closing decades of the nineteenth century, large apartment houses began dotting the developed portions of New York City, and by the opening decades of the twentieth century, spacious buildings, such as the Dakota and the Ansonia finally transcended the tight confinement of row house building lots. From there it was only a small step to building luxury apartment houses on the newly created Park Avenue, right next to the fashionable Fifth Avenue shopping area.

Câu 20 (VD): The author mentions the Dakota and the Ansonia in paragraph 3 because ______.

A. they are examples of large, well-designed apartment buildings

Đáp án chính xác

B. they are famous hotels

C. they were built on a single building lot

D. their design is similar to that of row houses

 Xem lời giải

Trả lời:

verified Giải bởi Vietjack

Câu 20: Đáp án A

Phương pháp giải:

Kiến thức: Đọc hiểu – chi tiết

Giải chi tiết:

Tác giả đề cập đến Dakota và Ansonia trong đoạn 3 vì ______.

A. chúng là những ví dụ về các tòa nhà chung cư lớn, được thiết kế tốt

B. chúng là những khách sạn nổi tiếng

C. chúng được xây dựng trên một tòa nhà duy nhất

D. thiết kế của chúng tương tự như thiết kế của các dãy nhà

Thông tin: and by the opening decades of the twentieth century, spacious buildings, such as the Dakota and the Ansonia finally transcended the tight confinement of row house building lots.

Tạm dịch: và đến những thập kỷ mở đầu của thế kỷ XX, các tòa nhà rộng rãi, chẳng hạn như Dakota và Ansonia cuối cùng đã vượt qua sự gò bó chật hẹp của những dãy nhà xây nhiều lô.

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 In the last third of the nineteenth century, a new housing form was quietly being developed. In 1869 the Stuyvesant considered New York's first apartment house was built on East Eighteenth Street. The building was financed by the developer Rutherfurd Stuyvesant and designed by Richard Morris Hunt, the first American architect to graduate from the Ecole des Beaux Arts in Paris. Each man had lived in Paris, and each understood the economics and social potential of this Parisian housing form. But the Stuyvesant was at best a limited success. In spite of Hunt's inviting façade, the living space was awkwardly arranged. Those who could afford them were quite content to remain in the more sumptuous, single-family homes, leaving the Stuyvesant to young married couples and bachelors.

 The fundamental problem with the Stuyvesant and the other early apartment buildings that quickly followed, in the 1870's and early 1880's was that they were confined to the typical New York building lot. That lot was a rectangular area 25 feet wide by 100 feet deep – a shape perfectly suited for a row house. The lot could also accommodate a rectangular tenement, though it could not yield the square, well-lighted, and logically arranged rooms that great apartment buildings require. But even with the awkward interior configurations of the early apartment buildings, the idea caught on. It met the needs of a large and growing population that wanted something better than tenements but could not afford or did not want row houses. So while the city's newly emerging social leadership commissioned their mansions, apartment houses and hotels began to sprout in multiple lots, thus breaking the initial space constraints.

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 In the last third of the nineteenth century, a new housing form was quietly being developed. In 1869 the Stuyvesant considered New York's first apartment house was built on East Eighteenth Street. The building was financed by the developer Rutherfurd Stuyvesant and designed by Richard Morris Hunt, the first American architect to graduate from the Ecole des Beaux Arts in Paris. Each man had lived in Paris, and each understood the economics and social potential of this Parisian housing form. But the Stuyvesant was at best a limited success. In spite of Hunt's inviting façade, the living space was awkwardly arranged. Those who could afford them were quite content to remain in the more sumptuous, single-family homes, leaving the Stuyvesant to young married couples and bachelors.

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