Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three tin the pronunciation in each of the following questions.

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three tin the pronunciation in each of the following questions.

Mark the letter A, B, C, or D to indicate the word that differs from the other three in the position of the primary stress in each of the following questions 

Mark the letter A, B, C, or D to indicate the word that differs from the other three in the position of the primary stress in each of the following questions 

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions. 

The plumber couldn't remember where he'd left the box ____________ he kept his tools.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

____________ the apples we were growing in the orchard ____________ the grapes on our vines were affected by the extreme heat.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

____________ where he tried to hide his favorite jacket, Jethro's bother always managed to find it.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

Paul asked Maria to ____________ him to the dentist's, because he didn't want to go by himself. 

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

The object of a siege is to starve the defenders into ____________ by cutting off their food supplies.

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

The ways in which Europeans used to ____________ archaeological treasures from other countries would probably be better described as theft.

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

We____________for a cottage to rent while we ____________ our relatives in France next summer.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

If people ____________ after their houses properly, the police wouldn't have so much work to do.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

Having passed the entrance exam, ____________ go away for a holiday.

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

The higher one rises in the atmosphere, ____________ the temperature generally becomes.

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions. 

It seems that you are right, ____________? 

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions. 

You ____________ the locksmith to open the door for you last night before you tried to open it yourself.  

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

William was 19 years old when he was ____________ for war.

Mark the letter A, B, C, or D to indicate the correct answer to each of the following questions.

I can't give you the answer on the ____________; I'll have to think about it for a few days.  

Mark the letter A, B, C or D to indicate the word(s) CLOSEST in meaning to the underlined bold word(s) in each of the following questions.  

Important features of dehydrated foods are their lightness in weight and their compactness.

Mark the letter A, B, C or D to indicate the word(s) CLOSEST in meaning to the underlined bold word(s) in each of the following questions.  

Many people criticized the ostentatious lifestyle of some high-ranked officials.

Mark the letter A, B, C or D to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions.

The news has been greeted with dismay by local business leaders.

Mark the letter A, B, C or D to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions.

These were the people who advocated using force to stop school violence.

Mark the letter A, B, C or D to indicate the most suitable response to complete each of the following exchanges.  

- "Do you mind if I take a seat?"- “____________” 

Mark the letter A, B, C or D to indicate the most suitable response to complete each of the following exchanges.

Jenny: "I think higher living standard is one of the reasons that many people want to be a city dweller."

Mark: “____________” 

Read the following passage and mark the letter A, B, C, or D to choose the word or phrase that best fits each of the numbered blanks from 25 to 29  

      Around 200 million people are employed in tourism worldwide, making it the largest industry in the modern global economy. It is estimated that three-quarters of a billion people go on holiday each year, and industry planners expect this figure to double (25) ____________2020. Some of the biggest beneficiaries are less developed countries, where it is often their main source of income.  

      (26) ____________, along with the economic benefits, this mass movement of people has resulted in threats to the environment. People often forget the damage caused by carbon emissions from aircraft, (27) ____________contribute directly to global warming. Deforestation has cleared land in order to build hotels, airports and roads, and this has destroyed wildlife. In some areas, water shortages are now common because of the need to fill swimming pools and water golf courses for tourists. By pushing up prices for goods and services, tourism can also be harmful to people living in tourist destinations. 

      In response to these (28) ____________, some travel operators now offer environment-friendly holidays. Many of these aims to reduce the negative effects of tourism by (29) ____________only hotels that have invested equipment to recycle waste and use energy and water efficiently. Increasingly, tourists are also being reminded to show respect for customs of the people whose countries they are going to visit, and to support local businesses, such as restaurants and shops which depend on tourism for their main income.  

Điền vào ô số 25

Read the following passage and mark the letter A, B, C, or D to choose the word or phrase that best fits each of the numbered blanks from 25 to 29  

      Around 200 million people are employed in tourism worldwide, making it the largest industry in the modern global economy. It is estimated that three-quarters of a billion people go on holiday each year, and industry planners expect this figure to double (25) ____________2020. Some of the biggest beneficiaries are less developed countries, where it is often their main source of income.  

      (26) ____________, along with the economic benefits, this mass movement of people has resulted in threats to the environment. People often forget the damage caused by carbon emissions from aircraft, (27) ____________contribute directly to global warming. Deforestation has cleared land in order to build hotels, airports and roads, and this has destroyed wildlife. In some areas, water shortages are now common because of the need to fill swimming pools and water golf courses for tourists. By pushing up prices for goods and services, tourism can also be harmful to people living in tourist destinations. 

      In response to these (28) ____________, some travel operators now offer environment-friendly holidays. Many of these aims to reduce the negative effects of tourism by (29) ____________only hotels that have invested equipment to recycle waste and use energy and water efficiently. Increasingly, tourists are also being reminded to show respect for customs of the people whose countries they are going to visit, and to support local businesses, such as restaurants and shops which depend on tourism for their main income.  

Điền vào ô số 26

Read the following passage and mark the letter A, B, C, or D to choose the word or phrase that best fits each of the numbered blanks from 25 to 29  

      Around 200 million people are employed in tourism worldwide, making it the largest industry in the modern global economy. It is estimated that three-quarters of a billion people go on holiday each year, and industry planners expect this figure to double (25) ____________2020. Some of the biggest beneficiaries are less developed countries, where it is often their main source of income.  

      (26) ____________, along with the economic benefits, this mass movement of people has resulted in threats to the environment. People often forget the damage caused by carbon emissions from aircraft, (27) ____________contribute directly to global warming. Deforestation has cleared land in order to build hotels, airports and roads, and this has destroyed wildlife. In some areas, water shortages are now common because of the need to fill swimming pools and water golf courses for tourists. By pushing up prices for goods and services, tourism can also be harmful to people living in tourist destinations. 

      In response to these (28) ____________, some travel operators now offer environment-friendly holidays. Many of these aims to reduce the negative effects of tourism by (29) ____________only hotels that have invested equipment to recycle waste and use energy and water efficiently. Increasingly, tourists are also being reminded to show respect for customs of the people whose countries they are going to visit, and to support local businesses, such as restaurants and shops which depend on tourism for their main income.  

Điền vào ô số 27

Read the following passage and mark the letter A, B, C, or D to choose the word or phrase that best fits each of the numbered blanks from 25 to 29  

      Around 200 million people are employed in tourism worldwide, making it the largest industry in the modern global economy. It is estimated that three-quarters of a billion people go on holiday each year, and industry planners expect this figure to double (25) ____________2020. Some of the biggest beneficiaries are less developed countries, where it is often their main source of income.  

      (26) ____________, along with the economic benefits, this mass movement of people has resulted in threats to the environment. People often forget the damage caused by carbon emissions from aircraft, (27) ____________contribute directly to global warming. Deforestation has cleared land in order to build hotels, airports and roads, and this has destroyed wildlife. In some areas, water shortages are now common because of the need to fill swimming pools and water golf courses for tourists. By pushing up prices for goods and services, tourism can also be harmful to people living in tourist destinations. 

            In response to these (28) ____________, some travel operators now offer environment-friendly holidays. Many of these aims to reduce the negative effects of tourism by (29) ____________only hotels that have invested equipment to recycle waste and use energy and water efficiently. Increasingly, tourists are also being reminded to show respect for customs of the people whose countries they are going to visit, and to support local businesses, such as restaurants and shops which depend on tourism for their main income.

Điền vào ô số 28

Read the following passage and mark the letter A, B, C, or D to choose the word or phrase that best fits each of the numbered blanks from 25 to 29  

      Around 200 million people are employed in tourism worldwide, making it the largest industry in the modern global economy. It is estimated that three-quarters of a billion people go on holiday each year, and industry planners expect this figure to double (25) ____________2020. Some of the biggest beneficiaries are less developed countries, where it is often their main source of income.  

      (26) ____________, along with the economic benefits, this mass movement of people has resulted in threats to the environment. People often forget the damage caused by carbon emissions from aircraft, (27) ____________contribute directly to global warming. Deforestation has cleared land in order to build hotels, airports and roads, and this has destroyed wildlife. In some areas, water shortages are now common because of the need to fill swimming pools and water golf courses for tourists. By pushing up prices for goods and services, tourism can also be harmful to people living in tourist destinations. 

      In response to these (28) ____________, some travel operators now offer environment-friendly holidays. Many of these aims to reduce the negative effects of tourism by (29) ____________only hotels that have invested equipment to recycle waste and use energy and water efficiently. Increasingly, tourists are also being reminded to show respect for customs of the people whose countries they are going to visit, and to support local businesses, such as restaurants and shops which depend on tourism for their main income.  

Điền vào ô số 29

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 30 to 34  

      When drawing human figures, children often make the head too large for the rest of the body. A recent study offers some insights into this common disproportion in children's illustrations. As part of the study, researchers asked children between 4 and 7 years old to make several drawings of men. When they drew front views of male figures, the size of the heads was markedly enlarged. However, when the children drew rear views of men, the size of the heads was not so exaggerated. The researchers suggested that children drew bigger heads when they know they must leave room for facial details. Therefore, the odd head size in children's illustrations is a form of planning ahead and not an indication of a poor sense of scale.  

The main subject of the passage is ____________ 

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 30 to 34  

            When drawing human figures, children often make the head too large for the rest of the body. A recent study offers some insights into this common disproportion in children's illustrations. As part of the study, researchers asked children between 4 and 7 years old to make several drawings of men. When they drew front views of male figures, the size of the heads was markedly enlarged. However, when the children drew rear views of men, the size of the heads was not so exaggerated. The researchers suggested that children drew bigger heads when they know they must leave room for facial details. Therefore, the odd head size in children's illustrations is a form of planning ahead and not an indication of a poor sense of scale.

It can be inferred that during the research project, the children drew____________

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 30 to 34  

            When drawing human figures, children often make the head too large for the rest of the body. A recent study offers some insights into this common disproportion in children's illustrations. As part of the study, researchers asked children between 4 and 7 years old to make several drawings of men. When they drew front views of male figures, the size of the heads was markedly enlarged. However, when the children drew rear views of men, the size of the heads was not so exaggerated. The researchers suggested that children drew bigger heads when they know they must leave room for facial details. Therefore, the odd head size in children's illustrations is a form of planning ahead and not an indication of a poor sense of scale.

Which of the following groups would not probably be interested____________ in the findings of the experiment?

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 30 to 34  

      When drawing human figures, children often make the head too large for the rest of the body. A recent study offers some insights into this common disproportion in children's illustrations. As part of the study, researchers asked children between 4 and 7 years old to make several drawings of men. When they drew front views of male figures, the size of the heads was markedly enlarged. However, when the children drew rear views of men, the size of the heads was not so exaggerated. The researchers suggested that children drew bigger heads when they know they must leave room for facial details. Therefore, the odd head size in children's illustrations is a form of planning ahead and not an indication of a poor sense of scale.  

The word odd' is closest in meaning to____________ 

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 30 to 34  

            When drawing human figures, children often make the head too large for the rest of the body. A recent study offers some insights into this common disproportion in children's illustrations. As part of the study, researchers asked children between 4 and 7 years old to make several drawings of men. When they drew front views of male figures, the size of the heads was markedly enlarged. However, when the children drew rear views of men, the size of the heads was not so exaggerated. The researchers suggested that children drew bigger heads when they know they must leave room for facial details. Therefore, the odd head size in children's illustrations is a form of planning ahead and not an indication of a poor sense of scale. 

Which of the following is true?  

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

What is the main idea of the passage?

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

            The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.

It is stated in the first paragraph that the sculptural legacy that the new United States had from colonial times was____________ 

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

The words "motifs” in the passage is closest in meaning to____________

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

The work of which of the following could be seen in burial ground?

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

The word “they” in the passage refers to ____________ 

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

Why does the author mention Joseph Wilton in paragraph 2?  

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

What can be inferred about the importation of marble memorials from England? 

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions from 35 to 42  

      The sculptural legacy that the new United States inherited from its colonial predecessors was far from a rich one, and in fact, in 1776 sculpture as an art form was still in the hand of artisans and craftspeople. Stone carvers engraved their motifs of skulls and crossbones and other religious icons of death into the gray slabs that we still see standing today in old burial grounds. Some skilled craftspeople made intricately carved wooden ornamentations for furniture or architectural decorations, while others caved wooden shop signs and ships' figureheads. Although they often achieved expression and formal excellence in their generally primitive style, they remained artisans skilled in the craft of carving and constituted a group distinct from what we normally think of as “sculptors" in today's use of the word.  

      On the rare occasion when a fine piece of sculpture was desired, Americans turned to foreign sculptors, as in the 1770's when the cities of New York and Charleston, South Carolina, commissioned the Englishman Joseph Wilton to make marble statues of William Pitt. Wilton also made a lead equestrian image of King George III that was created in New York in 1770 and torn down by zealous patriots six years later. A few marble memorials with carved busts, urns, or other decorations were produced in England and brought to the colonies to be set in the walls of churches - as in King's Chapel in Boston. But sculpture as a high art, practiced by artists who knew both the artistic theory of their Renaissance Baroque-Rococo predecessors and the various technical procedures of modeling, casting, and carving rich three-dimensional forms, was not known among Americans in 1776. Indeed, for many years thereafter, the United States had two groups from which to choose – either the local craftspeople or the imported talent of European sculptors.  

      The eighteenth century was not one in which powered sculptural conceptions were developed. Add to this the timidity with which unschooled artisans - originally trained as stonemasons, carpenters, or cabinetmakers - attacked the medium from which they sculpture made in the United States in the late eighteenth century.  

How did the work of American carvers in 1776 differ from that of contemporary sculptors?

Mark the letter A, B, C, or D to indicate the underlined part that needs correction in each of the following questions.  

Our Spanish teacher would prefer us spending more time in the laboratory practicing our pronunciation.  

Mark the letter A, B, C, or D to indicate the underlined part that needs correction in each of the following questions.  

When eggs of some species of insects hatch, the newly born insects look almost like its adult counterparts.  

Mark the letter A, B, C, or D to indicate the underlined part that needs correction in each of the following questions.  

For thousands of years, people have used some kind of refrigeration cooling beverages and preserve edibles.  

Mark the letter A, B, C or D to indicate the sentence that is closest in meaning to each of the following questions.  

People think the Samba is the most popular dance in Brazil.  

Mark the letter A, B, C or D to indicate the sentence that is closest in meaning to each of the following questions.  

I find myself at a loss to understand Harold's behavior.

Mark the letter A, B, C or D to indicate the sentence that is closest in meaning to each of the following questions.  

A child is influenced as much by his schooling as by his parents.  

Mark the letter A, B, C, or D to indicate the sentence that best combines each pair of sentences in the following questions.  

She received the exam results. She immediately phoned her mom. 

Mark the letter A, B, C, or D to indicate the sentence that best combines each pair of sentences in the following questions.  

She helped us a lot with our project. We couldn't continue without her.